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Guthrie McClintic (* 6. August 1893 in Seattle, Washington; † 29. Oktober 1961 in Sneden’s Landing, Rockland County, New York) war ein US-amerikanischer Schauspieler, Film- und Theaterproduzent.

Greta Garbo (* 18. September 1905 in Stockholm als Greta Lovisa Gustafsson; † 15. April 1990 in New York) war eine schwedisch-US-amerikanische Filmschauspielerin.

Joan Crawford [ˌdʒɔʊn ˈkɹɔːfəd] (* 23. März 1905 in San Antonio, Texas, als Lucille Fay LeSueur; † 10. Mai 1977 in New York City) war eine US-amerikanische Filmschauspielerin.

Clifford Odets (* 18. Juli 1906 in Philadelphia; † 18. August 1963 in Glendale) war ein nordamerikanischer Bühnen- und Drehbuchautor und Schauspieler.

Luise Rainer (* 12. Januar 1910 in Düsseldorf; † 30. Dezember 2014 in London) war eine deutsche Schauspielerin jüdischer Herkunft.

Christiane Lili Grautoff (* 5. April 1917 in Berlin; † 27. August 1974 in Mexiko-Stadt) war eine deutsche Schauspielerin und die Ehefrau des expressionistischen Schriftstellers Ernst Toller.

William Randolph Hearst (* 29. April 1863 in San Francisco; † 14. August 1951 in Beverly Hills) war ein US-amerikanischer Verleger und Medien-Tycoon.

Ernst Toller (*1. Dezember 1893 in Samotschin, Provinz Posen; gestorben am 22. Mai 1939 in New York City, New York) war ein deutscher Schriftsteller, Politiker und linkssozialistischer Revolutionär.

#1509 Brief an Sidney Kaufman

Datierung 1937-02-24
Verfasser Toller, Ernst
Beschreibung

Brief, 2 S., T

Der Briefkopf ist mit dem Logo von MGM versehen, das den Kopf von Leo the Lion zeigt. Das Motiv wird kommentiert von dem handschriftlichen Vermerk: „My boss!“

Provenienz YUL, Manuscripts and Archives, Ernst Toller Papers (MS 498), Box 1, Folder 1
Briefkopf Metro Goldwyn Mayer
Poststelle -
Personen Kaufman, Sidney
Weisberg, Brenda
McClintic, Guthrie
Garbo, Greta
Crawford, Joan
Stern, Selma
Gartz, Kate Crane
Odets, Clifford
Rainer, Luise
Grautoff, Christiane
Hearst, William Randolph
Toller, Ernst
Kaufman, Sidney
Institutionen The New York Times
Metro-Goldwyn-Mayer (MGM)
Curtis Brown
American European Lecture Bureau
Vassar College
Werke Lola Montez

February 24, 1937.

Dear Sidney:–

It would be exciting if you could go as critic for the New York Times to Vassar; then I shall read what you really think of my work.

Miss Weisberg of Phoenix, Arizona, sent me a letter and also one from the American European Lecture Bureau; I enclose copies of both, for your confidential information. That is a fitting climax to all the misdemeanors of that lecture bureau. Things, of course, cannot go on like this; I should not like to conclude this matter through a lawyer, that would be quite impossible. I am enclosing copy of the letter I am to-day writing them.

Do you not know someone from the Committee to whom you could speak personally and confidentially and explain the situation?

I got the contract from McClintic; I am sending you copy of the letter I sent to Curtis Brown. If you think, which I do not, that I am mistaken, then please send me a wire.

I just read that Greta Garbo has again refused the script of Walewska. If only one could tell her, my dear, that you exist. She would rush into your arms and would implore you to personally re-write the play for her. You see I am not jealous and I give you a chance. Take it!

I am physically better. My treatments are very tedious, as I have to go to the Doctor almost daily to have some senseless injections made, but I hope they will be over in two weeks, without doing too much damage to my health!

I enclose a clipping from which you will see that my producer has other sorrows (I think the word sorrows is a anglisation of “Zores”, a word you may have heard in your youth), than Lola Montez. In any event I delivered 64 pages of the story to him two days ago and he told me again I may take it easy and not to work so much.

Joan Crawford too has great sorrows. Not that she is worried about the events in Spain, but she has decided to invent a new fashion with two different tints in her hair. The Hearst paper writes that she dyed her side hair red and the parting on top of her head black. Perhaps this red color means secret sympathy with the author of her new film. I am only afraid it will not be red but pink. You see Hollywood is exciting and Miss Stern gets crazy about all these stirring novelties.

Mrs. Crane Gartz has offered me her phantastic house on Palos Verdes, overlooking the Pacific. I have certain misgivings to take it, because she has an old cook installed there, who undoubtedly keeps a diary and would inform her about all my activities, either vertically or horizontally. Besides I have an idea that Mrs. Gartz is using the place as week-end quarters.

When are you coming?

Oh by the way! I have some more gossip. I heard that Cliff and Luise never know what to talk about. Their entire conversation consists of extraordinary witticisms on the food they eat together, whether it is well prepared or not. Besides Luise is said to speak German with her German guests and Cliff sits there with an open, and sometimes full mouth, and doesn’t understand a word. The whole arrangement is called “honeymoon”. I haven’t seen Cliff up to now. When I was here the last time I rang him up several times and met him by chance, but he never called back.

Love yours ever.

Ernst.

P. S. I sent Christiane some clippings about herself.

Please have a look at them and please prevent Christiane from throwing them away.